Book Review
String of Pearls: Stories About Cross-Dressing
Reviewed by Katherine Cummings
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As ‘theme' anthologies go, this one casts a looser net than most.
Although each story includes cross-dressing, the motivations vary
widely, from Lady Caroline Lamb trying to prolong her affair with
Byron by appealing to his homosexual side to women who don butchers'
aprons and play with offal. There are also more conventional (?)
examples of cross-dressing.
Paul Allatson, with ‘Her Aviary' takes us into the mind of a confused
young man who cannot describe his missing mother and impersonates her
for the police artist. But is he really the mother and not the son? Or
is he both?
‘Instructions to My Seamstress', by Catherine Lazeroo is a lovely
story; evocative, absorbing and with the ring of bizarre truth
appropriate to the willful, eccentric genius of Caroline Lamb, who
recounts tales of her friends and enemies to her dressmaker.
Predictably, several of the stories are concerned with the Australian
gay and lesbian sub-culture. ‘Silhouette' by Gillian Mears, ‘The Man
from the Caribbean' by William Yang, ‘Tsunami' by Fiona McGregor and
‘Tottering Towards Darlinghurst by Gary Dunne all fit into this
category.
The most overtly drag-oriented is Gary Dunne's piece about a
cross-dresser arriving at a gay function in the expectation that she
will receive an award for her ‘centuries of service'. The feeding
frenzy of confusion, excitement and waspish wit generated by the
occasion is convincing and even touching. By contrast ‘The Man from
the Caribbean' takes us away from the sequins of Darlinghurst to an
assignation between gay men, one transient, one resident, in a small
Queensland (?) town. The encounter progresses to a climax (maybe more
than one) and the sting comes when the family of the philandering
Queenslander return home. ‘Tsunami' rings the changes by depicting the
(asexual) relationship between a lesbian and a gay who support each
other through various one night stands. The gay scene is described as
accurately as in ‘Tottering Towards...' and economically depicts the
desperate resignation of adolescents drawn by circumstances into a
life of prostitution (sorry, sex work) and drugs. ‘Silhouette' takes
us further afield, to Paris, where a travelling Australian lesbian is
transformed by her Parisienne lover into a simulacrum of her dead
brother. A one-night stand with a difference, carrying overtones of
incest and undertones of androgyny.
I have mentioned Alana Valentine's ‘Butchers Aprons' wherein a group
of women dress in butchers' gear, recount events in their youth
designed to embarrass themselves and their listeners and fondle
various types of offal. I found it hard to suspend my disbelief.
Nor did I understand John A. Scott's ‘Elegy'. Set in short lines as if
it were meant to be a long, very dull, poem, it said nothing to me.
Perhaps it is post-modern and not meant to be understood. There is
another poem in this collection, ‘Venice - the Aria' by the
award-winning poet Dorothy Porter. Poetry is personal, yet published
poetry must attempt to communicate, and this communicates nothing to
me but disconnected images.
‘My Cock Lives in Hell' by Tony Ayres, shows us a man torn between his
desire for a drag queen and his passion for genetic women, including
his (very sensibly) estranged wife. Belinda Chayko in ‘The Stand-in'
writes as a person obsessed by Eugenia, the woman who lived as a man,
deceived a number of women as to her true sex and was sentenced to
death for murder.
The only really pornographic story is ‘Supercollider' by Chad Taylor.
It concerns a couple who go through many variations of sexual
fetishistic behaviour (of which cross-dressing is merely one example).
Even if I accept the fact that the female character willingly (or
submissively) allows herself to be degraded, I don't have to like it.
Some readers would enjoy this sort of writing, and there are whole
bookshops eager to satisfy their need.
‘In the Forest of the Eternals' by Louis Nowra, is a rather vague and
dream-like account of Alfred Deakin in London for the Imperial
Conference of 1907. During his stay he cross-dresses at a séance in
order to invoke spirits who will advise him on his future. On the
voyage home he discards his dress. Nowra writes well, but the story
is, probably intentionally, inconclusive.
I have saved the best for last.
Nick Enright's story, ‘Crystal', delineates with sureness of detail
and delicacy of feeling the confusion of a drama teacher who is
mesmerized by the cross-dressed persona of one of his students. There
are echoes of ‘The Blue Angel' as the teacher finds himself drawn into
total obsession with the character created by his student, who cannot
comprehend the effect of his masquerade on the older man. The ending
is tragic, and believable.
String of Pearls is entertaining, despite the flimsiness of its
supposed theme and should satisfy readers of eclectic taste and
tolerant outlook.
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